His Dungeon Discovery is the sequel to Because Faery Godmonster. You don’t have to have read the first one to enjoy the second one, but I strongly recommend it. Like the first book, this is a rather silly, smutty story. I did try to do something different, however.
Since the first book showed the lovers getting together, I thought the second book should show their bond being tested. Classically, this would be done with a love triangle. But I don’t especially like love triangles, and I always prefer to do my own thing. So I gave them a young orphan with a vocabulary limited to one word and challenged them with taking care of her. Goss, the more nurturing of the couple, bonds to her immediately and wants to protect and adopt her. Pox thinks she stinks and is rather tiresome.
So that’s the main source of conflict between the lovers in my story. One wants to nest, but the other isn’t ready. It’s a funny little fantasy story, but I wanted it to have an honesty to it. In my life, wanting different things/ being at different life stages have been the big relationship problems–not the tall, dark stranger.
Now you know why Lady Grawgraw plays such a pivotal role in the story!
You can find His Dungeon Discovery here, and you can read it for free with Kindle Unlimited.
The sequel to Because Faery Godmonster is finally here! It’s available on Amazon and is free with Kindle Unlimited.
Recently, a professional editor told me I didn’t need her editing services. I was extremely flattered! Editing can be hard work, particularly when you’re editing your own material. I’m sharing my method in case it might help other self-published writers on tight budgets.
- Edit while you work. Before I start writing a scene (I typically write in scenes), I scan the previous day’s efforts for typos, unintentional repeated words, etc. This serves the dual purpose of getting me into the world and voices.
- Do a rough edit. After I finish the rough draft, I do a rough edit. I search for typos, adverbs, missing or misplaced commas, and inconsistencies. I look for things like hair and eye color that changes for no reason, voice changes, and weak verbs. Because I’m an indie author, I tend to stick to old-fasioned usage and grammar rules. Lay people don’t trust new authors and won’t realize you’re trying something new. They’ll probably just think you don’t know what you’re doing. Choose a style manual and try to be consistent.
- Have beta readers. Good beta readers are invaluable. Betas will not only help you by asking questions about character motives and ferreting out plot holes, they will also notice typos and missing words. I submit my manuscript to betas after the rough edit.
- Enter beta edits. This is often where I do some rewriting. Theoretically, you shouldn’t have to do anything too extensive. Your story should have been ready to go when you sent it to your betas. If you have to do significant rewriting, consider running the story by at least one more beta before continuing.
- Do a final read through. I can’t stress the importance of this step enough. It’s so easy to mess things up by cutting and pasting, adding new phrases, etc. Use the final read through to correct the small errors still in the manuscript.
- Stop picking at it. If you’ve done your rewrites, edits, had your manuscript read by betas, polished your piece, and gave it a final read–you’re done. Publish it, send it away, give it as a present to your fifth grade Engish teacher–whatever. Just don’t mess with it any more. Move onto your next project. Call your book finished and let it go.
That’s it! Oh, and have fun. Use different fonts and colors to mix things up and change the way your eyes see the text. Currently, I’m editing the sequel to my M/M romance, Because Faery Godmonster, and did the rough edit on a blue background with white New Times Roman text. (I wrote it on a white background in Arial.) I’ll probably do the final read on my tablet. The different format seems to expose typos.