At last! Here’s the cover for the last book in the Love Songs for Lost Worlds trilogy, Infernal Hope! This lovely cover is by Aspen Rayne.
I’ve enjoyed writing this M/M fantasy/ PNR series so much and can’t wait to share Frank and Kasimir’s final adventure with the world. Although the first two books, Know Thy Demons and With Good Intentions ended on cliff hangers, this book gives the sweet demon and the ex-Necromancer the HEA they so richly deserve. Like so many of us, they had to work for it. They had to earn it. I hope readers enjoy reading it as much as I enjoyed giving it to them.
It will be on pre-order from Amazon in April, and will be actually releasing May 3, 2021. Expect lots of action, heat, and heart.
Although I loved original book covers for Know Thy Demons and With Good Intentions, because it’s a series, I decided to update the covers this year as we get closer to the release of the third and final book in the Love Songs for LostWorlds series, Infernal Frank.
Here’s the cover for With Good Intentions: Book Two of Love Songs for Lost Worlds. It starts the day after the end of Know Thy Demons. I love writing for Kasimir and Frank and hope you enjoy their further adventures. The cover is by Mahinoor88 on Fiverr.
Here’s the cover for my upcoming release, Know Thy Demons, a steamy gay paranormal romance. The cover is by CJ Douglass. It features Kasimir, a demon whose feathered wings make him the object of his father’s ridicule.
Know Thy Demons will be available on Amazon August 24th!
Know Thy Demons, a paranormal M/M romance, is now available on Amazon! It’s on sale for 99 cents until Wed., August 26, 2020. After that it will be $3.99.
It’s 1985, but different….
Frank Hope is a troubled high school senior. Being gay in a small Texas town in the eighties is hard enough, but Frank’s also fighting to win back his ex-boyfriend, trying to graduate while hating school, and struggling to care for his sick mom. Despite his cynical nature, he tries to remain, well, hopeful. Everything he desires seems beyond his reach—until a newfound ability promises financial success and prestige. But success always comes with a price. What is Frank willing to sacrifice?
Kasimir is—humans would call Kasimir a demon. Kasimir’s people refer to themselves as the Eternals, who are engaged in a centuries’ long conflict with the mortals from another world. But Kasimir, sensitive and idealistic, can’t hate humans because he fell in love with a human boy named Frank while watching him through an interdimensional window when they were children. Now, as a priest scholar specializing in the study of humans, he’s set on finding his old crush. However, his boy has grown into something feared by all beings of the Eternal Realm.
Taking place in an alternative 1985 where demon essence fuels everything from mopeds to the space shuttle, this story of star-crossed lovers combines elements of fantasy and dystopian genres with gay romance while weaving together themes of surviving past trauma, breaking obsessions, and the transformative power of love.
Warning: period homophobia, hate speech, suicidal ideation, past suicide, explicit language, sex, violence, child abuse, drug abuse, smoking
If you’re needing a laugh and a steamy story of true love, pick up a copy of Chainmail and Velvet. It’s Because Faery Godmonster and His Dungeon Discovery snuggled under one beautiful cover designed by C J Douglass.
Opposites attract in a D&D-inspired fairytale land occupied by nightsprites, vampire werebears, hobgoblins, farting dwarves, and kindly druids who get stuck in the form of giant possums.
Amid the angst and crude humor, romance abounds and love, even when sorely tested, endures.
This is a review of the YA fantasy book: Fisher’s Autism Trilogy: Through Fisher’s Eyes, Dark Spectrum & A Problem With the Moon by Paul Nelson.
Every so often I come across a book I wish I could somehow send through time to a younger version of me. (Are you listening, Ninth Doctor?) This is one of those books. It’s not simply that it’s a fun read, it’s because the tween years were some of the darkest days of my life. Stories like this, full of funny, kind-spirited characters who are different from other people and suffer through some difficult times while remaining true to themselves, are the things that kept me hanging on when everything around me seemed full of ugliness and uncertainty.This is the kind of book you can snuggle up with and feel loved.
As the title suggests, this is a trilogy compiled into one book. The first story, Through Fisher’s Eyes, is told by a nonverbal autistic boy named Fisher. It’s an intimate narrative told in a style that lovingly mimics the cadence of an autistic speaker. Through a series of literary snapshots, Fisher reveals his world to us, and the story unfolds.
Fisher, wise beyond his years, is brave and resilient. He tells his story with an honesty that is sometimes poignant—and sometimes hilarious!
In the following excerpt, Fisher tells what he sees when he goes shopping with his dad on Saturdays:
The people we see do not seem to be as happy as we are. They look like they are sad, and in a hurry. They all look down at their phones and do not talk to each other. They seem to want only to buy things. My dad and I just like being together.
While the story starts deeply rooted in reality, it grows into a fantasy where “special ed. kids” like Fisher and his friends have special abilities such as telepathy and telekinesis. Soon, Fisher finds himself involved in an age old battle between the forces of good and evil. There are twists on old ideas and magical characters that are more than they seem. In the first book, we meet Fisher and his friends–a cast of diverse, lovable characters–and some not-so-lovable ones, like Jonah, an autistic boy who has chosen to follow the dark tribe.
The next two books increase the scope with a third person point of view that allows us to learn more about the troubled Jonah, Fisher’s friends–old and new, and explore a bigger magical world. The stories contain lots of magic and action while continuing to promote the idealism and kindhearted values of the first book.
Recommended for ages 12 to 18 or any adult who is interested in autism or just loves a good fantasy story.
So, I was supposed to release The Inquisitor’s Gift as an audiobook this month. That’s not going to happen. Acts of nature and inexperience have delayed the release. For the first time, I can say that the climate crisis has affected my small business. The heatwave in Europe took its toll on my narrator, who became gravely ill. We also ran into some technical difficulties. This is my second audiobook, and I believe it’s this narrator’s first. Hopefully, things will come together soon.
In the meantime, I thought I would share some of the things I’ve learned about proof-listening. If you’re an author trying to publish an audiobook on ACX, the publishing arm of Audible and Amazon, you’ve probably realized that they don’t offer many resources to “rights holders” a.k.a authors in nonlegalese. Although they do have a Help section and a large FAQ, I’ve rarely found the specific answer I needed. Here are a few things I’ve learned.
For instance, the contract between the rights holder and the producer (usually the narrator), says the author should not make “unreasonable” editorial requests. Um…that’s pretty vague. I asked an experienced voice actor to help me understand what that meant.
Basically, “unreasonable” is expecting the narrator to be able to make one character sound exactly like James Earl Jones and the next sound exactly like Bishop Briggs. Don’t do that. “Unreasonable” also means expecting the narrator to rerecord the entire book because you’ve suddenly decided you want it to have a different vibe.
You’re in This Together
It’s also important to understand that this is a collaboration, so an author should allow the narrator–especially if he’s a voice actor–to exercise some artistic control. Yes, you know the characters and the story better than anyone, but sometimes an actor can surprise you by what they bring to a role or scene if you let them.
Positive feedback is important. Everyone likes to be appreciated. You know what it feels like to have someone tell you only what they don’t like about your work. Remember to tell the narrator what he’s doing right.
Some Basic Terms
Although it isn’t technically the author’s job to identify audio issues (the producer is in charge of this), it doesn’t hurt an author to know a few audio terms to make communicating with an audio professional easier. (And c’mon, what writer doesn’t love learning jargon and vocabulary!)
Plosive–also called a “p-pop” this is that puffy sound when someone says a hard consonant like a “P” or “T”. Sometimes it will happen at the beginning or end of a word, and sometimes the entire word will have a puffy quality. If you’re listening with good speakers (and you should ALWAYS proof-listen with the best speakers you can) it can do more than sound obnoxious–it can physically hurt. An experienced producer will know how to edit these, or what sort of equipment or posture to use to avoid making them at all.
Mic thump–this one’s kind of obvious. It’s that knocking or thumping sound when the mic is interfered with in some way.
Mouth click–a smacking sound. These occur naturally when people talk, but we don’t usually notice them in day to day conversation. However, a mic will pick these babies up and ruin an otherwise good recording. Some producers have tricks to reduce these during a performance, but sometimes the only way to handle them is through the editing process.
Mouth noise–these can be loud breaths, wheezes, swallowing, gurgling, etc. Basically, any human sound that distracts from the listener’s experience. Although there are breathing techniques an actor can master to reduce heavy breaths, not everyone knows how to do this. In this case, these sounds can usually be edited out. It’s okay to have some breath noises, however. If all of the breaths are removed, the recording can take on a robotic quality. Quiet, non-distracting breaths–or breaths which are part of the acting–are fine.
If you hear any of these noises when you’re proof-listening, write down approximately where they occurred so the producer can fix them. However, it is not the author’s job to comb through a chapter for several hours writing down each and every one of these. If you’re hearing a lot of plosives or clicks, simply tell the producer that the chapter contains a number of whatever the noise is called so he can try to fix them.
Proof-listening Bonus Tip
A tip I learned from a site that creates audio copies of classic books is how to write an error so it’s easy for the audio person to understand. If the narrator deviates from the text in a way that changes the meaning of a sentence, write:
I hear: The woman asked when the prince lived. Text: The woman asked where the prince lived.
Later this month, the audiobook version of The Inquisitor’s Gift will be coming to Audible! With all of the misogyny going on in the world today (ahem, looking at you, Mr. Trump), I think we all need more femdom romances. Femdom means the woman is the dominant. Move over alpha males! Get on your knees. (Maybe your hands and knees….) It’s high time a woman was in charge.
The Inquisitor’s Gift isn’t just about how hot it can get when a woman plays rough, it’s also a story of redemption and self-discovery–an exploration of power and love.
Petal Brightbone is a strong woman living in The Glorious City, the capitol of the Grandimanderian Empire. A survivor of sexual abuse, she serves the emperor as an Inquisitor, wringing confessions from political prisoners. For the purposes of breeding more people with magical powers to serve the empire, Petal is locked into a loveless marriage with a man who wishes to impregnate her so they can please their superiors and get tax credits. She is a creature of duty and habit, but she enjoys rebelling in small, secret ways. (Like using a shield spell to prevent pregnancy.) And she prides herself for being good at her job, breaking her prisoners with words when possible, through force when necessary.
When the new prisoner she must break is the magic instructor who starred in all of her naughty teen fantasies, she feels, for the first time since becoming an Inquisitor, torn between her duty to the empire and her desire. It doesn’t help that he’s an arrogant man who’s as stubborn as he is handsome. And not only does he harbor a hatred of the Overfather who rules the empire and a secret that could change everything, he also has a secret that pique’s Petal’s private interest. A secret that whets her darkest appetites.
She’s a pragmatist; he’s an idealist, and they’re on opposite sides. Can a shared fetish unite an unstoppable object with an immovable force? Or will their lust destroy them both?