Why Gay Men Weren’t in the Closet in 1923

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My latest gay (M/M) romance is set in 1923 in a small rural town in East Texas. A Little Sin is available through Amazon and is FREE with Kindle Unlimited. While researching this historical western mystery romance, I discovered that gay men weren’t in the closet in 1923. No one was. Closets didn’t really exist back then. People kept their clothes in armoires, chest of drawers, and chifforobes (basically an armoire combined with a chest of drawers.) The idiom didn’t exist.

Instead, gay men who pretended to be straight to fit in with the oppressive heterosexual society were said to “wear a mask.” I found this phrase both poetic and poignant. It describes so beautifully what it feels like to have to hide your true self from people. I’m genderqueer, but I am biologically female and “read” female. Most people have no idea who or what I really am. (Even when I tell them, they often don’t really understand.)  I wear a mask. The stakes, of course, of someone discovering my true identity aren’t as high for me as they are for my protagonists in A Little Sin. Still, the idea that they were wearing masks made me feel very close to them.

There are so many things we take for granted in modern America. In the world of Avery and Garland, indoor plumbing and electricity have not found their way to rural areas. There are no antibiotics. “Okay,” one of my favorite words, didn’t exist until WWII (and it was OK). Prohibition made having a glass of pinot noir illegal. In Texas, literacy tests prevented many people from voting. (It was designed to suppress the black vote.) Texas legislators were openly members of the Ku Klux Klan. (At least now they make some attempt to hide it. Yes, I live in Texas. Yes, I’m bitter.)

Although women now had the right to vote, their roles were largely domestic. Even Garland, the more progressive and enlightened of my two main characters, is amazed when his secretary—a black woman—is curious about his work as a veterinarian and wants to read his old textbooks. The fact that she is interested in science blows his mind.

There were times when I felt quite estranged from my protagonists, who are deeply religious Christians (I’m not), drink buttermilk (ugh), rarely curse, and smoke like fiends. (Smoking was okay, apparently.) I kept wanting to put glasses of scotch in their hands or make them use the “f-word.” (Because I do…a lot.) Writing for these guys was like discovering a new world. Along the way, I fell in love with them. I hope my readers do, too.

There are so many things, so many advancements—both scientific and social—that we take for granted. These things didn’t always exist. They aren’t permanent. We need to be wary of people who want to take us back into a dark, oppressive, and often violent past. We need to be vigilant, vote, and keep moving forward. How can we make America great again when the past is littered with injustices and wasn’t too great for children, people of color, women, and LGBTQIA people? I like to write about history; I wouldn’t want to live there.

Cover Reveal!

A_Little_SinThis is the cover for my new m/m mystery romance, A Little Sin. (That’s Sheriff Avery O’Rourke.) Here’s the book description:

Sheriff Avery O’Rourke has tried to obey his strict Christian faith and lead a “normal” life. In 1923 in a rural East Texas town, “normal” means heterosexual. A cholera outbreak has made Avery a young widower, so he is married to his job. When a murder investigation forces him to confront his truth, will he finally be able to accept being gay?

Veterinarian Garland Sands has returned from Europe to take over his father’s practice. Struggling with shellshock (PTSD) and heartbroken by the suicide of his French lover, he resigns himself to a quiet, solitary life as a country vet. But the murder of the town doctor brings the sheriff to Garland’s doorstep looking for help with the investigation. Seeing Avery awakens dormant feelings. Can he love a man who hates what he is?

This isn’t the lavish 1920s of The Great Gatsby. This is the flip side of that coin—rural East Texas. No electricity. No indoor plumbing. No flappers. In 1923, the timber barons have left and racism, homophobia, and sexism thrive.

A Little Sin is a realistic mystery with unlikely heroes and a timeless romance between lovers caught in a world where their love is forbidden. This book contains steamy sex scenes and is intended for adults only.

A Little Sin should be available on Amazon later today (2/23/18).

Coming Soon!

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I’m almost finished with my latest book! I’m hoping to release it in a couple of weeks–maybe sooner! It’s a strange brew–a historical M/M mystery romance with a Western flare. There’s a grisly murder and a sexy sheriff!

Here’s where it gets weird. It’s set in 1923 in a small town in rural East Texas. This isn’t the 20’s of The Great Gatsby. There are no flappers, no galas, no fancy cars. Life is hard and gritty in rural Texas. There’s no electricity, no indoor plumbing. This is a land of Prohibition, religion, and the Ku Klux Klan. It’s a dangerous time to be a gay man. Both of my men are very much in the closet. One is guilt-ridden by the conflict between his desires and his strict Christianity. The other suffers from shellshock (they are both veterans of WWI) and has his own set of problems.

I fell hopelessly in love with both of them. I had so much fun working on this book. I hope readers love the characters at least half as much as I do. I’ve had trouble finishing the last chapter because I want to hang onto them. Once I publish the book, they’ll belong to everyone; for now, they’re all mine.

The book (I have the title but am not ready to disclose it just yet) will be available on Amazon very soon. I’ll be posting a cover reveal shortly and will discuss the characters and the setting in more depth.

A Drop of Blood to Bring Characters to Life

actorProbably my favorite part of writing is developing characters. It’s like meeting new friends. There’s an indescribable, magical element to it that is thrilling and unique. I enjoy writing about characters that are very different from me. I like the challenge and, well, it’s exciting! But when you’re working in deep POV (also called third person close or third person limited), it can be tough getting inside the head of a character who’s so different. Here’s how I do it:

I start by leaving myself a backdoor. Computer programmers will sometimes leave a “backdoor” in their code, a way to sneak in if they need to. I do this with my characters. I build a character with various physical and emotional attributes, a unique personality (Myers-Briggs can be helpful with this!), and a suitable back story. I try to make these true to the character and let him develop in a way that is different from me.

But then, I add a backdoor, sometimes two or three, but at least one. I add something that the character and I have in common. So, Bradley from my m/m contemporary romance, Zen Alpha, is a tall, beautiful, twenty-five year old redheaded openly gay man who lives in a suburb of Dallas, is a tech support specialist, has expensive tastes that are beyond his means, and is intent on having an alpha male boyfriend. Bradley Evans and I have nothing in common. Like, squat.

So, I gave him a narcissistic mother. Being the child of a narcissistic parent changes a person in fundamental ways. I know, because my own mother is a narcissist. I used this fact to shape and highlight certain aspects of his personality. It even explains why he is so fascinated with his emotionally abusive boyfriend, Jackson, and why he holds himself at a distance from his sexy neighbor, kind, authentic Ward.

His mother was my backdoor into his character. In essence, I gave him a piece of myself. It’s sort of like molding a clay golem, then bringing it to life with a drop of your blood. Sometimes giving a character a piece of yourself hurts, because you have to confront something of yourself in the manuscript. Sometimes that’s difficult.

However, once you crawl inside your character, you’re in! The rest kind of falls into place. You end up with an interesting, round character that is fun to write about. So, bring your character to life and enjoy slipping into deep POV.

If you’re interested in reading Zen Alpha, you can read it for free with Kindle Unlimited, or buy it on Amazon. If you would like to review it, contact me at: everwintergreen@gmail.com for a reviewer copy.

Happy writing!

Why Are Writers So Sensitive?

Being able to accept criticism as a writer is vital if you want to have a writing career. People love being critics. They love having opinions, often regarding things they know nothing about, and they especially love knocking other people down. A writer who wants to be published has to be resilient. But why are writers so sensitive?

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In my case, it’s because of what writing entails. Isn’t writing a book just like crocheting an afghan or baking a pie? You just make something—right? No, not at all. Writing is opening up a door in your soul and carving people out of whatever you find there. So, when someone criticizes your work, they aren’t saying they disliked some nouns and verbs strung together in Arial or New Times Roman—they are saying they looked into your soul and found it lacking.

Recovering from a blow like that is hard. I think if/when this happens, your book simply hasn’t found the right audience. It’s like falling in love. Sometimes the people you get involved with are complete idiots who don’t appreciate you. If you’re lucky, you find someone who does.

Another reason I’m sensitive about my works is that the characters are real people to me. It’s like if someone put your best friend in a beauty pageant and judged how she walks and looks in a bathing suit. Friends have positive attributes that go far beyond bathing suits. I take long walks with my characters, having meaningful conversations with them. Often, I lean on them when I need support.

Although I write faster these days, produce a different genre of books, and have learned to pay more attention to things like story arcs and plot outlines, I spent years writing my epic fantasy books. I don’t regret the time I spent with them. I was learning how to write. More importantly, I needed that world and those characters at that particular time in my life. Lycian helped me cope with the deaths of my cousins who were like my brother and sister, the death of my grandmother who was primarily responsible for raising me, a miscarriage, and the deaths of two familiars. He was a kind, quiet companion. Aside from my husband, he was my best friend during that period. I needed him, and I’m glad I had him.

Currently, I’m working on a new m/m romance (it’s a mystery romance!) and am absolutely in love with the main characters. Even as I lose myself in the bliss of writing, I’m preparing for how my characters will be judged, how my world will be reduced to so many stars, and how some people will simply not understand it. That’s okay. I love the characters; I like the work (so far), and I know there will be some people out there who will enjoy it. I’m writing it for myself and those people.