Writing While Swimming with Sharks

Pantsers must love these. I find them terrifying.

Writers will tell you there are three types of writers:

  • Pantsers, those who write extemporaneously (by the seat of their pants.)
  • Planners, those who write using outlines and by planning ahead.
  • Plantsers, those who utilize a combination of the two.

I’m a plantser…but not by choice.

Although a lot of my character development happens when the characters start talking to each other, I begin by planning them, and I like creating a skeletal outline for the plot that I fill in as I go along. I also answer a set of questions before writing each scene.

But with every book, all of that planning falls apart at some point.

Maybe instead of a skeleton, I’m creating outline spider webs. It’s frustrating and frightening. Sometimes, it’s a characters fault. (Thomas Carillon, don’t look away. You know who I’m talking about.)

Often, however, it’s simply because I forgot to look at my notes and got carried away. It’s like swimming in the ocean, looking back, and realizing you’re a lot further out than you intended. You’re out with the sharks now. Land looks faraway and your blanket and cooler are barely visible.

I’m treading those waters now. My throat is clenched with fear, and I’m worried about that thing that just bumped against my leg.

I hate feeling like I don’t know what I’m doing. Out of control. The bones all nothing but wispy fragments. I know I’ll work through it and find my way back to the story I had planned—to those scenes I was waiting eagerly to write and the Happily Ever After that has kept me going. By the time I finally get to that HEA and do a few revisions, I should have something a little different than I had planned, but better.

Sometimes being a writer means clutching spiderwebs in your hands and swimming with the sharks.

That outline that I thought was such a strong skeleton. Thanks again, Thomas.
Thomas also talks to ghosts. His cat, Gracie, senses them. To discover more about how shy Thomas meets the love of his life and solves a series of murders in 1888 Texas, you can buy Carillon’s Curse on Amazon or read it for free with Kindle Unlimited.

Giving Gifts to Characters

I enjoy giving my characters gifts to help them through the story. I don’t mean wings or magical abilities—although sometimes I give them those, too. I’m talking about in terms of backstory and friends. Other writers probably do this; they simply might not recognize it as a gift they give to their characters.

My mother died recently. She was an abusive narcissist, and our relationship was complicated. I suppose because of this, it comes naturally to me to write characters with abusive parents or guardians.

I consciously chose not to do that with Thomas Carillon of Carillon’s Curse, my Western gothic paranormal romance, and the sequel to it I’m writing. I had already made Thomas’s life difficult. I gave him clubfoot in the 1800s, when it wasn’t easily—or successfully treated, a sensitive nature, and the sometimes troublesome ability to talk to ghosts. He’s also gay at a time when this could have landed him in prison in Texas and could have possibly resulted in his death

How awful would it be to give him bad parents on top of all of that?

Thomas is a sweet character, and I love him. I gave him a gift I never had—two kind, loving parents who wanted only the best for him. I gave him wealth and privilege. I gave him, as an adult, a staff of servants who cared about him and Gracie, a cat who senses ghosts. (They didn’t have emotional support animals in the 19th century, but that’s basically what she is.)

In Lover, Destroyer, my m/m fantasy romance, I cursed Kite with a terrible, destructive power that separated him from other mages and made people fear him. When the book opens, he’s a child who has destroyed an entire city at the emperor’s behest. Nothing is left behind, not even a baby’s shoe. An army of mages takes him back to the emperor—all of them fear, even despise, the boy in their care. Kite is a sad, scared, lonely little boy.

So, I gave him a gift. Cinder from my only m/f fantasy romance, The Inquisitor’s Gift. It’s the same universe, the same land. Cinder, at this time, is about to become a teacher at a prestigious magic school in the capitol. He’s good-hearted and fearless with a silly sense of humor. He takes Kite under his wing, and does what he can to help him through a frightening period.

This doesn’t mean that Kite grows up to be a healthy adult. He’s twisted and dark. Sadistic. Mercurial. A secretive, haunted man who thinks love isn’t meant for him.

Although I enjoy plunging characters into the depths of despair, I always like to give them special things that I wish I’d had when I felt alone or desperate. For me, it’s one of the joys of writing.

Writing an Ongoing Relationship

I’m writing about Thomas and Hadrian again. They’re on a new case, searching for a new killer and running into a number of ghosts. What I’m having the most fun with is their relationship. It’s fun to write about the first bloom of love, but what I really enjoy is writing about how couples make a partnership work.

Falling in love is easy. For me, anyway. I always laugh when reviewers say a couple seemed to get together too soon. When I was single, I could fall head over heels for someone after knowing them a few hours. I love being in love. I guess I’m a free spirit. And I don’t make small talk. Even now. I’m intense and like to get to the nuts and bolts of a person. People often tell me their darkest secrets. I’m not sure why, but I always fall in love with them a little when they do. If there’s any chemistry there, as well—

Staying together is the hard part. I’ve been with my husband longer than some of my readers have been alive. Every day, I make the decision to connect and understand. Loving another human and sharing your life with them isn’t easy—especially if you’re both passionate, damaged, and sensitive. We’ve never broken up, but there were a few times that were close.

In this book, Thomas is trying to assert his independence. He’s madly in love with Hadrian, but he doesn’t want to be smothered by him. He’s trying to figure out his boundaries so he can set them.

Hadrian is dealing with a diagnosis of “soldier’s heart” (PTSD), which he sees as a threat to his strength and manhood. He’s worried about adequately protecting Thomas—and doesn’t really hear when Thomas rejects his protection.

I’m setting them up for a collision, but they’ll find their way out of the wreckage and be stronger for it. If two people are truly committed to making a relationship work, they find a way.

And that’s why I love writing romance—and love writing these “how they stay together” stories most of all.

If you want to read the first book in this series, a standalone, you can find it on Amazon and free with KU.

If you’re curious about another paranormal series I wrote where the characters’ relationship grew over a three book series, you can check out Love Songs for Lost Worlds, also on Amazon and free with KU.

Going Back in Time

One of the fun things about writing Carillon’s Curse, my gay paranormal western gothic romance, was researching Austin, Texas, in the late 1800s. I love doing research. For Carillon’s Curse, I spent a lot of time researching old Austin, the actual serial killer who terrorized the city in 1865, and how the Civil War continued to impact the lives of Texans in the late 1800s. I love learning about different periods in history. This period was called the Gilded Age in the United States. (We didn’t have a queen named Victoria.)

I’m back there again, writing the sequel, and rubbing elbows with Thomas and Hadrian. Although the clothes and furnishings, in my opinion, are elegant and beautiful, many of the attitudes and norms are not. The term “Gilded Age” was coined by Mark Twain and Charles Dudley and refers to the process of gilding an object with a thin covering of gold so it looks gold. It’s not actually gold itself. It’s artifice. Instead of a golden, the era was fake—a mere pretense of the beauty and success it promised.

Online encyclopedia britannica.com describes the Gilded Age as a period of “gross materialism and blatant political corruption.” At the same time, in the South, Jim Crow laws were in effect. Many of them would remain in effect until 1965. They segregated Black people and made it difficult for them to vote. Some of these things remind me of current events. There’s a taste of racial inequality in Carillon’s Curse, but expect it to play a larger part in the sequel.

The way the US seems to be separating itself into two worlds upsets me deeply. That’s going in the book. It’s still going to be a hot love story, but the background will look, unfortunately, a lot like our own time.

On the bright side, Thomas and Hadrian are going to get to walk together on a beach and play in the warm, gray waves of the Gulf of Mexico. As with any time period, no matter how difficult, life is not without its pleasures. They will grow even closer and more deeply in love. Love is always beautiful—even when everything around it is ugly.

I’m delving into the past, but I’m spending a lot of time with Thomas and Hadrian on the beach.

You can catch Carillon’s Curse on Amazon: http://viewbook.at/CarillonsCurse

Goodbye, Hello

What saying “goodbye” to Thomas and Hadrian feels like.

I’ve finished Carillon’s Curse. It’s due to release Dec.10th, 2021. I should be happy about that. This is the time that always makes me sad, though. By the end of a book, I really know those characters. They’re my friends, and I hate telling them goodbye.

I left Thomas and Hadrian in a good place, as good a place as I could within the confines of their time period. But I already miss them. Acutely. I would love to write a sequel—or even a series with them—but I can’t tell yet if anyone would read it. If the book does well, I might play with them again, but, for now, I’ve had to abandon them.

In the meantime, I’ve started a new book. It’s a paranormal romcom. I’m not attached to the characters yet. I’m still trying to figure out the rules of the world, the setting, and what exactly makes these guys tick. We just met each other. One hugged me and cried on my shoulder. The other hugged me and stole my wallet. It’s going to be that sort of story. Everything is relaxed right now. I’m gathering ingredients, heating the water. It’s a quiet business. It’s very different from the frenetic insanity I was in last month.

Last month was a bubbling, splattering mess. It was all Thomas’s fault. (I’m kidding, of course. Thomas was lovely to write.)

If all goes well, in a few months this romcom will be in full boil, and I’ll be able to release it at some point. For now, I’m trying to enjoy the process of getting to know this new world and these new characters.

What saying “hello” to Jericho and Kincaid feels like.

New Trope: The Insta Book Boyfriend

Mmmm…yummy Book Boyfriend. Insta Book Boyfriend starts out here. My Book Boyfriends end up here.

Romance, whether it’s male/female or male/male, is full of tropes. Opposites attract, friends to lovers, insta love, grumpy/sunshine, etc. In other forms of fiction, these might be things to buck against. (Looking at you George R. R. Martin, you dirty, rotten fiend!) In romance, however, authors ignore or change these tropes at their peril. Romance tropes are like that cozy sweatshirt—the one with the pills and possibly stains—that feels oh so good when you put it on to watch your favorite movie or YouTube channel. If it was different it…well, it wouldn’t be the same.

With that in mind, I’ve coined a new trope—Insta Book Boyfriend. This is where a character, or in the case of m/m romance, possibly both characters, start off wonderful from the beginning of the book. They’re instant boyfriend material. They’re the perfect guy, and the reader automatically wants to snuggle with them. They start off great and end up… great.

I don’t write stories with two Insta Book Boyfriends. At least one of my guys is usually a jerk. He’s going to have to change and prove himself in order to get his HEA (happily ever after). That’s because I like to write what author and mentor K.M. Weiland calls the Positive Change Character Arc. This means the character starts off not so great and ends up wonderful. He might even save the world. At the very least, the story will have changed him, for the better, by the time the book ends.

If he doesn’t change (internally) at all, that’s a Flat Arc. There’s nothing wrong with a Flat Arc. Harry Potter is a good example of this. He starts off as a good guy and ends up a good guy. That’s the kind of character arc an Insta Book Boyfriend has. He starts off as a sweetheart you want to date and ends the book exactly the same way. That’s not to say he didn’t have some adventures and tribulations along the way. It just means the story didn’t fundamentally change him. He’s basically the same person from beginning to end.

Personally, I don’t like to write Flat Character Arcs. I don’t find them as exciting as Positive Change Character Arcs. I’ll often write one main character with a Flat Arc. He acts as both foil and mentor for the other main character. That other main character starts off kind of screwed up. He might be surly and emotionally stunted like Frank Hope, in Know Thy Demons, or conceited and elitist like Pox in Because Faery Godmonster (or the duology, Chainmail and Velvet). They don’t start out as someone you want to date. In fact, you might want to punch them in the nose.

However, by the time the story ends, usually with the help of the other, sweeter protagonist, he ends up a hero deserving of a beautiful happily ever after. I like this formula because at least one of the main characters has to really struggle to win that HEA. He has to change, on some fundamental level, to earn it. Often, he needs to discover what love really means, and grow up to find it.

That’s just what I enjoy writing about. Growing. That’s what makes me happy. It embodies my philosophy that people can change and that love is something we choose. These are the beliefs I cling to in times of strife, as the US is experiencing now, that give me hope people will eventually come together and work for a brighter tomorrow. That might be the kind of fantasy only fiction can birth, but I’m an idealist, and I need to believe bad things can get better.

Another cutie with a dog. Yeah, I think guys who like animals are super hot.

Smell My Characters!

Raise your hand if you’re a writer who wants to smell like your characters! Or a reader who enjoys imagining what characters smell like.

This might not always be a good idea. I’m not sure I would want to smell like an orc or something with tentacles. I’m sure Frank Hope, the protagonist from my Love Songs for Lost Worlds trilogy sometimes smelled like BO and/or vomit. I kind of put Frank through the wringer. Poor guy. He was, however, the villain of the first book, so he kind of deserved some payback.

In the novel I’m currently writing, Carillon’s Curse, my Victorian gentleman (who happens to be a medium), Thomas, washes with lavender soap and wears violet water. I know what lavender smells like. My husband and I have used Jason’s Lavender Body Wash for years. (We had a cat who really loved it. He would be all over us whenever we were freshly showered.) But I had no idea what violet water smelled like. I have never even smelled a violet, let alone violet water.

The first time I ever heard of violet water was in Paul’s Case by Willa Cather. When I was researching Victorian colognes, I ran across an article that said respectable Victorian gentlemen could wear violet water. Since another popular scent, ambergris, is basically whale diarrhea, I decided Thomas would wear violet water.

I wanted, nay—needed—to smell it, so I found a shop on Etsy that creates and sells all natural cosmetics based on historical compounds, LBCC Historical Apothecary. You can find them at http://www.littlebits.etsy.com. I highly recommend trying their products. I bought some violet water, hair pomade, and lip balm and love all of it.

Violet water has a light floral scent, but I found it surprisingly gender neutral. I bought it simply to smell Thomas, but I’m going to wear it myself. It’s perfect for transitioning and suitable for a man.

Hadrian, my co-protagonist, smells primarily of leather and horse sweat. I had horses in my youth, and miss them, so I don’t need to buy anything to see what he smells like. All I have to do is remember. (Horses, in case you don’t know, smell wonderful!)

So, those are the sexy scents of my sexy men. What about you, writers? What scents define your characters?

Don’t forget to look for Carillon’s Curse, coming to Amazon in December 2021!

I think these are violets. I’m not certain, honestly. My search for ‘violets’ came up with a lot of things I *know* aren’t violets. I did the best I could with my limited horticultural knowledge.

Gut Punched

I’ve been having problems working out the second half of the second act of my latest novel. (It’s all Thomas’s fault, of course, all he wants to do is fool around with Hadrian when they have a killer to catch.) Anyway, I wrote a weird, kinky short story, so I decided to publish it.

So, here’s Gut Punched: An Erotic M/M Gut Punching Short Story. Gut punching is a fetish, and this story is a celebration of it. You can find it on Amazon here.

In this erotic M/M romance short story, two lonely gay men amid the Covid pandemic find meaning and love through the fetish of gut punching.

Ben wants someone to punch his abs, so Zack has agreed to give him the stomachache he’s always wanted. Ben still hasn’t fully recovered from his ex leaving him three years ago. He tries to punish himself but can’t get the release he needs. Zack loves to punch men in the gut, but he’s never had a boyfriend who enjoyed it.

Can a good, hard gut punching session bring these two together?

When a Story’s Theme is a Revelation

Metaphor for a sweet protagonist? (He does remind me a little of Thomas.)

When I write, I’ve noticed I’m often sifting through my baggage. Writing is fun, it’s my vocation, and it’s also therapy. I usually don’t realize how a work symbolizes some part of my life, either something I’m working on or something I need to work on, until I’m already into it. This time, I’m about midway through my current story, Carillon’s Curse, and starting to tease out its theme. (I start out with some vague idea of a novel’s theme, then zero in on it as I write.)

I’m still piecing it together, but a component of it slapped me right upside the head.

I’ve always been a people pleaser. I gush over strangers, have few boundaries, and put the wants of others ahead of my own. I shrink in unfamiliar—and sometimes in familiar environments—trying to take up as little room as possible. A friend once said, “Do you realize how many times you say you’re sorry? Why are you so sorry?”

Basically, I’m sorry I’m alive. I’m sorry for the space I take up on this planet. I think this stems from growing up with a physically and emotionally abusive parent. I always thought if I was good—if I could be oh, so very, very good—I wouldn’t be hurt. I guess I also internalized her anger and resentment toward me.

Three months ago I started transitioning from female to male. After saying I was genderqueer for a long time, I finally realized that I had been saying that because I didn’t think transitioning was a real option. The pandemic hit, and my shell cracked wide open. To my surprise, my husband was fully supportive. We’re closer now than ever before. (And we were pretty obnoxiously close before.)

I don’t know if it’s the testosterone, the pandemic, or my age, but I free and alive and valid. I’m not putting up with crap anymore. I’m not going back to that person who has to smile even when I’m feeling shitty. I don’t need to go out of my way to make everyone comfortable. I’m not sorry for being here. For the first time, when I celebrated Pride Month, I felt truly proud. I actually, maybe for the first time ever, really like myself.

Okay, so what does this have to do with a gay Western paranormal romance? Both of the main characters, in different ways and for different reasons, feel flawed and unworthy of love. These two good men, tied to their pasts and unable to attain true happiness, are chasing a serial killer who thinks he’s freaking awesome. This guy believes he’s helping his victims and society. He’s a narcissistic creep who, in his arrogance, is sure he has all of the answers.

My job, as the writer of this story, is to send these two good guys down the paths they need to stop this killer and find the love of their lives. Sometimes writers feel like gods. So often, as with this book, I feel more like a shepherd, guiding my heroes to a happily ever after.

Who knew shepherds sometimes learned from their lambs?

Cover Reveal: Know Thy Demons

Here’s the cover for my upcoming release, Know Thy Demons, a steamy gay paranormal romance. The cover is by CJ Douglass. It features Kasimir, a demon whose feathered wings make him the object of his father’s ridicule.

Know Thy Demons will be available on Amazon August 24th!