Music Helps

musicI just wanted to throw this quick tip–that many writers probably already know–out there: music helps. I don’t always write with music. Sometimes I just like to hear my keyboard or the wind outside.

Lately, however, when I sit down to write, I don’t have writer’s block, but I feel overstimulated and overwhelmed. I think this is because of my increased use of social media. I’m an introvert, so the social aspect of social media is difficult for me sometimes. If I’ve been on Twitter or something for a while, then try to write, I often feel agitated and nervous. Going for a walk helps with this some, but not enough to write.

Music, however, helps. With the right music (this varies) I’m able to get back into the story and feel that world again. So, if you’re fidgety and restless when you try to write, see if playing some music gets you back in the zone.

Negative Rating Survival 101

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To be perfectly honest, as a writer, I sort of hate Goodreads. Why? Because readers can leave ratings without leaving a review explaining why they rated it that way. I also hate them because GR has no way of verifying that the reader actually bought and/or read the book. For example, there is a user who goes by Wendy on GR who rates something like four or five books a day (I’m not exaggerating) and rates them all one-star. “She” only “reads” LGBT books. To me, this looks like an obvious troll. However, after I and many others complained to GR, they responded that she isn’t violating their policies and there’s nothing they can do. She is one of GR’s highest rated reviewers. I’m not kidding. I truly wish I were.

However, there are many normal, honest, real readers on GR that also leave low ratings. This used to irk me. I wanted—no, desperately needed—to know why they didn’t like my book. This still bothers me, but not to the extent it once did. I have four strategies for dealing with this. No, they don’t involve wine or chocolate, but those do help.

  • Look at the reader’s profile.

This is done simply by clicking on her portrait. You can (usually, sometimes profiles are private) see what other books the reader has read and how she rated them. If you recognize some of the books and/or authors, this might give you some insight as to what she didn’t like it. Maybe she mostly reads YA and your book is definitely not YA. Maybe she prefers plot-driven books and yours is character-driven. Maybe she’s just rather harsh and gives most books a low rating. (This is different from our troll, Wendy, who only gives one-stars and “reads” unrealistic quantities of books.) My new release received a two-star rating from a guy yesterday and I was momentarily devastated. When I looked at his profile, I saw that he also recently gave two stars to a book by an author I admire. An award-winning author. Obviously, this guy just has bad taste in books. Heehee.

  • Realize that the reader isn’t you.

Okay, that sounds elementary to some of you, but it was a revelation for me. I don’t rate/review books the way most people (apparently) do. I see books as works of art. I love and respect them—even if I don’t enjoy them. Because I view them as works of art, I see them as having inherent value—some artistic merit apart from whatever my experience is with the book. (And yes, I adored literature classes.) I don’t know if this is a writer-thing or just how I was raised. I’ve never left a negative rating or review of a book. I will give it three stars and say some things I liked (there are always things I liked), things I didn’t like (without dwelling), and who I think might actually like it. Or I don’t review it at all. I leave negative reviews of hospitals if they overcharge me and restaurants if they’re dirty or a business if their customer service is horrible, but books get a pass.

Most readers DO NOT think this way. For them, books are entertainment. If a book fails to entertain, it’s crap. I was sneaking about on a reader message board the other day and someone said if a book contained a certain element she didn’t like, she’d dropkick it off a cliff. This horrified me. If someone talked about kicking kittens off a cliff, I would have had a similar visceral reaction. Most readers aren’t literary scholars who will examine a book from different perspectives. They’re people looking to escape the daily grind of their lives. They want something that meets their needs, whatever those happen to be at the time, and if your book doesn’t meet them, well, off the cliff it goes.

For me, this was an ah-ha moment. It gave me a better understanding of my audience and even some empathy for them that I didn’t quite have before. Sometimes, if they dislike something, they just…didn’t like it. They may not even be able to articulate it. So, they leave a rating. However much I dislike ratings, I have to respect that.

  • Revel in the good ratings and reviews.

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I guess I tend to be a negative person. When I first started publishing, someone could write a beautiful review and I would be on Cloud Nine for a of couple of hours. One low rating and I was in the dumps for days. Now, I try to fully appreciate good ratings and reviews. I roll around in them, reading them several times. I try to imagine the people who left them (okay, I snoop around in their profiles) and send them good wishes and good vibes. I’m not just grateful to them, I love them.

  • Keep writing.

Don’t let a negative anything affect your love of writing. If you find yourself unable to focus on writing because you’re hung up on a negative rating or review, block it out. You might want to take a break and do something nice for yourself—take a hot bath, go for a run, visit with a good friend—whatever makes you happy and puts you in a positive headspace. And then dive back into your work. Don’t let anything get between you and your art. Ever.

A Drop of Blood to Bring Characters to Life

actorProbably my favorite part of writing is developing characters. It’s like meeting new friends. There’s an indescribable, magical element to it that is thrilling and unique. I enjoy writing about characters that are very different from me. I like the challenge and, well, it’s exciting! But when you’re working in deep POV (also called third person close or third person limited), it can be tough getting inside the head of a character who’s so different. Here’s how I do it:

I start by leaving myself a backdoor. Computer programmers will sometimes leave a “backdoor” in their code, a way to sneak in if they need to. I do this with my characters. I build a character with various physical and emotional attributes, a unique personality (Myers-Briggs can be helpful with this!), and a suitable back story. I try to make these true to the character and let him develop in a way that is different from me.

But then, I add a backdoor, sometimes two or three, but at least one. I add something that the character and I have in common. So, Bradley from my m/m contemporary romance, Zen Alpha, is a tall, beautiful, twenty-five year old redheaded openly gay man who lives in a suburb of Dallas, is a tech support specialist, has expensive tastes that are beyond his means, and is intent on having an alpha male boyfriend. Bradley Evans and I have nothing in common. Like, squat.

So, I gave him a narcissistic mother. Being the child of a narcissistic parent changes a person in fundamental ways. I know, because my own mother is a narcissist. I used this fact to shape and highlight certain aspects of his personality. It even explains why he is so fascinated with his emotionally abusive boyfriend, Jackson, and why he holds himself at a distance from his sexy neighbor, kind, authentic Ward.

His mother was my backdoor into his character. In essence, I gave him a piece of myself. It’s sort of like molding a clay golem, then bringing it to life with a drop of your blood. Sometimes giving a character a piece of yourself hurts, because you have to confront something of yourself in the manuscript. Sometimes that’s difficult.

However, once you crawl inside your character, you’re in! The rest kind of falls into place. You end up with an interesting, round character that is fun to write about. So, bring your character to life and enjoy slipping into deep POV.

If you’re interested in reading Zen Alpha, you can read it for free with Kindle Unlimited, or buy it on Amazon. If you would like to review it, contact me at: everwintergreen@gmail.com for a reviewer copy.

Happy writing!

Why Are Writers So Sensitive?

Being able to accept criticism as a writer is vital if you want to have a writing career. People love being critics. They love having opinions, often regarding things they know nothing about, and they especially love knocking other people down. A writer who wants to be published has to be resilient. But why are writers so sensitive?

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In my case, it’s because of what writing entails. Isn’t writing a book just like crocheting an afghan or baking a pie? You just make something—right? No, not at all. Writing is opening up a door in your soul and carving people out of whatever you find there. So, when someone criticizes your work, they aren’t saying they disliked some nouns and verbs strung together in Arial or New Times Roman—they are saying they looked into your soul and found it lacking.

Recovering from a blow like that is hard. I think if/when this happens, your book simply hasn’t found the right audience. It’s like falling in love. Sometimes the people you get involved with are complete idiots who don’t appreciate you. If you’re lucky, you find someone who does.

Another reason I’m sensitive about my works is that the characters are real people to me. It’s like if someone put your best friend in a beauty pageant and judged how she walks and looks in a bathing suit. Friends have positive attributes that go far beyond bathing suits. I take long walks with my characters, having meaningful conversations with them. Often, I lean on them when I need support.

Although I write faster these days, produce a different genre of books, and have learned to pay more attention to things like story arcs and plot outlines, I spent years writing my epic fantasy books. I don’t regret the time I spent with them. I was learning how to write. More importantly, I needed that world and those characters at that particular time in my life. Lycian helped me cope with the deaths of my cousins who were like my brother and sister, the death of my grandmother who was primarily responsible for raising me, a miscarriage, and the deaths of two familiars. He was a kind, quiet companion. Aside from my husband, he was my best friend during that period. I needed him, and I’m glad I had him.

Currently, I’m working on a new m/m romance (it’s a mystery romance!) and am absolutely in love with the main characters. Even as I lose myself in the bliss of writing, I’m preparing for how my characters will be judged, how my world will be reduced to so many stars, and how some people will simply not understand it. That’s okay. I love the characters; I like the work (so far), and I know there will be some people out there who will enjoy it. I’m writing it for myself and those people.

 

Don’t Be Afraid to Change

eye-color-change-2852261_640Since I published His Dungeon Discovery a couple of months ago, I’ve been trying to write an urban fantasy m/m romance. Initially, I was very excited. I had been thinking about it for a while and was happy to dive into it.

But then it stopped being fun.

I started worrying about what genre it actually was, because it was also sort of dystopian. I got caught up in one of the subplots–the main character’s mother has early onset dementia. My own mother is schizophrenic, so dealing with an impaired parent is a big deal for me. Perhaps for this reason, I wanted to spend more time with that aspect of the story. The romance atrophied as I wrote dialogues between my MC and his mom. The story spun out of control, and I grew increasingly depressed by it. I would hide from it for days at a time.

So I set it aside. I started writing a contemporary m/m romance with a couple of fun characters. It’s a simple, straightforward romance with a hint of humor. I’m ten chapters in and I’m glad I made the switch. Since I started working on the new story, I’ve gone back to writing every day. I have scenes going in my head at all times; the characters are talking to me. I’m happy again.

For whatever reason, the last project just wasn’t working for me. I want to go back to it someday, but I need to be in a better frame of mind to grapple with it. So, if you’re a writer who’s stuck on a certain piece, try taking a break from it and working on something else. You might find, not only solace, but a great story.

Indie Editing for Indie Authors

Recently, a professional editor told me I didn’t need her editing services. I was extremely flattered! Editing can be hard work, particularly when you’re editing your own material. I’m sharing my method in case it might help other self-published writers on tight budgets.

  • Edit while you work. Before I start writing a scene (I typically write in scenes), I scan the previous day’s efforts for typos, unintentional repeated words, etc. This serves the dual purpose of getting me into the world and voices.
  • Do a rough edit. After I finish the rough draft, I do a rough edit. I search for typos, adverbs, missing or misplaced commas, and inconsistencies. I look for things like hair and eye color that changes for no reason, voice changes, and weak verbs. Because I’m an indie author, I tend to stick to old-fasioned usage and grammar rules. Lay people don’t trust new authors and won’t realize you’re trying something new. They’ll probably just think you don’t know what you’re doing. Choose a style manual and try to be consistent.
  • Have beta readers. Good beta readers are invaluable. Betas will not only help you by asking questions about character motives and ferreting out plot holes, they will also notice typos and missing words. I submit my manuscript to betas after the rough edit.
  • Enter beta edits. This is often where I do some rewriting. Theoretically, you shouldn’t have to do anything too extensive. Your story should have been ready to go when you sent it to your betas. If you have to do significant rewriting, consider running the story by at least one more beta before continuing.
  • Do a final read through. I can’t stress the importance of this step enough. It’s so easy to mess things up by cutting and pasting, adding new phrases, etc. Use the final read through to correct the small errors still in the manuscript.
  • Stop picking at it. If you’ve done your rewrites, edits, had your manuscript read by betas, polished your piece, and gave it a final read–you’re done. Publish it, send it away, give it as a present to your fifth grade Engish teacher–whatever. Just don’t mess with it any more. Move onto your next project. Call your book finished and let it go.

That’s it! Oh, and have fun. Use different fonts and colors to mix things up and change the way your eyes see the text. Currently, I’m editing the sequel to my M/M romance, Because Faery Godmonster, and did the rough edit on a blue background with white New Times Roman text. (I wrote it on a white background in Arial.) I’ll probably do the final read on my tablet. The different format seems to expose typos.

Happy editing!

My Office Mate

Bruce Banner is the only cat well-mannered enough to visit my office. (I have five cats.) Once in a while, he decides to help me rearrange my action figures, but, for the most part, he’s the perfect writing companion. He either stares out one of my windows or flops in the middle of the floor and snoozes.

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Bruce Banner sleeping near my desk with some Hulks he has knocked down.

Writing can be a lonely endeavor. Having another beating heart in the room–whether it’s a cat or a fish–can make it a little less so. I don’t write horror stories, so I don’t exactly scare myself, but sometimes I write violent or intense scenes that make me feel chilled and anxious. It’s nice to look over at Bruce’s sleepy face when my hands have turned to ice and feel human again.

Sometimes I’ll stop and pet him if I’m stuck. Animals can be distracting, at times, but they can also be great sources of inspiration. Being with me while I write seems to benefit Bruce, as well. He is normally a rather high-strung little cat. I think he appreciates having a break from the others. Writing in the office is our special time–even if I’m at my laptop for most of it.

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Bruce in the living room, where I do most of my editing. He seems to enjoy being around me while I work.