Violets

Every time I write a piece, I have a favorite chapter or scene. This excerpt from Lover, Destroyer is my favorite, partly because, even in a smutty book, I like to sneak in symbolism. In this passage, the soon-to-be-lovers Elarhe (aka “Squirrel”) and Kite have been flirting and verbally sparring for several encounters. Here, the normally dark and brooding Kite gives Elarhe a violet. Violets can symbolize humility, everlasting love, or death. In some way, all three apply here. Death, because death represents change, and this scene marks a turning point in how each views the other.

“Well, if it isn’t Darelock’s proudest urchin? How are you this fine evening, Squirrel?”
Elarhe tensed. “I’m fine.”
Kite walked up to him, smiling coldly. “You look like you’ve been rolling about in a dung heap.”
“I’ve been working. Doing an honest day’s labor. What have you been doing—buying posies all day?”
“I’ve been all day in the stacks, researching spells of the darkest nature.” He sniffed the bouquet. “The flowers are to remind me that this often dreary world is also beautiful.”
Elarhe watched him, disarmed. “The world is always beautiful,” he said softly, slowly. “Even the rain, even the mud. Everything can’t be flowers.”
Kite’s pale blue eyes seemed to mirror the violets. He gazed at Elarhe as if seeing him for the first time. After a long moment, he broke eye contact, shaking his head. “I need the flowers.” There was no pretense in his voice this time, just something quiet and melancholy. He handed a flower to Elarhe. “Sometimes we need something pure and good.”

 

Remembrance

I’m depressed. I’ve been trying to hide it. I’m still writing (a comedy of all things), but everything is kind of hard, my body feels heavy, and I want to sleep more than I want to be awake.

I know one of the reasons is that today is the birthday of someone I loved very much who is gone now. She died of an overdose, but I don’t know if it was intentional or not. She was beautiful, kind, and generous. There aren’t words that describe her well. This is an excerpt from an autobiographical short story I wrote when she was alive about a trip we took to Galveston. She was a heroin addict and had just been diagnosed with hepatitis C. This was about four years before she died. Names have been changed.

Alice and I puttered along the seawall and bought two hermit crabs and some waterguns at a souvenir shop. We shared a love of animals and trash—anything the rest of the world considered useless.  She was tired and wanted to go home, but I coaxed her onto the beach, telling her we needed sand and shells for the crabs, so they would feel at home in our apartment.

I loped along the beach, trying to entice her into the waves with me. She lagged behind, finally stopping to stand by herself.  I backtracked to stand with her, wondering if she was okay.  She stood at the water’s edge and took off her baseball cap, unleashing about two feet of blonde hair.  No emotion showed on her face. The wind swept up from the ocean, tossing her hair and unfurling it behind her. Her open white shirt billowed about her taut body like a waving flag, the thin camisole beneath it clinging to her skin.  I stopped a little behind her; she twisted her fragile neck to greet me as I approached.

“Do you want to get in the water?  Cool off?” I asked.

“No, I just want to go home,” she said listlessly. She turned her face skyward and squinted into the white sun. “The doctor told me I was lucky I didn’t have HIV.”

I dug my toe into the wet sand. “Yeah, she’s right. It could’ve been a lot worse. I mean, god, look at Geoff—that could have been you.”

She was very quiet.  In the bright sunlight, her face was yellow with greenish overtones; she looked like a faded bruise. “Yeah, everybody thinks I’m lucky—that it could’ve been worse.  That’s just what my mother said, too—look at Geoff.” She stared at the ocean with such longing that I thought she might dive into it.  “I never looked at him and thought he was unfortunate. We used to talk about it—about how it was better for his parents than if he had just hung himself.”

“I don’t see how—“

“Sure there’s a stigma, but it’s not as bad somehow as suicide. You know, your kid gets sick, and, yeah, that sucks, but there’s a safety there, like a buffer. It’s not their fault their kid was a junkie. They aren’t responsible. It’s society or music or friends or whatever.  It’s better that way, you know.  It’s kinder than suicide.” She stared out at the ocean, her voice a little wistful. “Much easier for everyone concerned.”

I nodded silently and felt cold in the ocean wind. Her suicide wishes were nothing new.  We had both been enamored with death since childhood. I could have told her that I loved her—that I would be devastated if she died, that I couldn’t imagine a world without her, that was she was my sunlight, my hope, my only and truest friend—but she already knew these things, and none of that really mattered. I possessed no tether that would hold her should she choose to go, but I would have chased her anywhere. My feelings were trivial, my desires were lurid, selfish.  I let them scatter like sand in the wind, let them rain down on the turgid waves to mix with the oil and mud, the plastic soda rings and dead fish.

Compulsion

I love this J.K. Rowling quote:

“Writing for me is a kind of compulsion, so I don’t think anyone could have
made me do it, or prevented me from doing it.”

I can definitely relate. Yesterday I uploaded Lover, Destroyer to Amazon. It’s awaiting approval. Almost as soon as I uploaded it, I started working on the sequel to Because Faery Godmonster.

I did this because I need some comedy this month. I have two sad anniversaries coming up, and I need to work on something simple and fun. I also did it because I simply can’t help it. As long as I’m not depressed, I have to write. Have to–it’s not a choice. It’s a need like sleeping or eating.

Cover Reveal for Lover, Destroyer!

I’m so happy to share with you the book cover for Lover, Destroyer! Here’s a little preview of it. I’ll probably show you the entire thing once it’s published. Next_hub on Fiverr created this cover. I’m thrilled with it because it looks so much better than the idea I pitched to her. I love artists that can do that–take what a client says and do something better with it.

Kite looks dark and foreboding, and little tawny Elarhe practically glows. This is very much what the book is about–a bright, shiny guy comes into an melancholic, brooding guy’s life and changes it in profound ways. It’s a little like The Sound of Music without yucky kids and Nazis.

Lover, Destroyer will be available on Amazon soon!

You can reach next_hub here.

LD book sample

Story Euphoria

balloon-1761634__480

No, I have not dropped off the face of the Earth. Whenever I get to the end of a project, I start getting hyperfocused and can’t stop until I’m done. So, the past week, I’ve hardly slept, probably lost weight, and have barely slept. Housework? Bwahaha. No, I’ve just been writing. But today, I finished the rough draft of my m/m romance, Lover, Destroyer.

It’s basically an old fashioned gothic romance with dudes and kink. I’m changing the cover, but I’ll reveal it soon. For now, I’m just basking in something I think of as story euphoria. If you’ve ever seen the musical My Fair Lady (I love old musicals), you probably remember the scene where Audrey Hepburn’s character can’t sleep after going to a dance and keeps spinning around the room singing. This feeling is sort of like that.

That world is still in my head, but it’s a blur of images now. The characters have gone silent and are standing, holding hands, listening to the applause ringing in my blood. I’m utterly, completely happy–euphoric. I’ll slowly return to all of the drudgery of everyday life (including hygiene), knowing that in a week or so I’ll start the painful process of editing and revising. For now, however, I’m spinning around the room, singing.

 

 

Work Update

This is just a quick update for anyone interested in what I’m working on now. I’m about 50 thousand words into the third Astralsphere book. I’m estimating it at about 100-130 thousand words. We’ll see. It is sort of on the back burner at the moment. I realized I could finish an m/m (gay) romance that I had started more quickly, so I’m devoting all of my current energy to it.

No, it’s not the sequel to Because Faery Godmonster, my first m/m romance. That one was a zany romantic comedy. This new one has some humor, but it’s more serious. It’s set in the dystopian world of my het fantasy romance, The Inquisitor’s Gift. (Cinder actually has a supporting role in it because I love him and can’t resist writing him into everything. His world clashes with that of The Astrasphere Spiral, otherwise he and Lycian would be buddies. Lycian could really use a friend like Cinder. sigh)

I’ll probably write the sequel to Because Faery Godmonster after I finish the next Astralasphere book. So, that romcom sequel will probably be out sometime around the first of next year, but I’ll try for sooner. I think the Velvet and Chainmail series is going to be really fun to write. The sequel is currently in a rough outline form.

I don’t know that the genres of my books make much sense from a marketing point of view–I have coming of age tales mixed with erotic romances, but they all have a fantasy element. They make sense in my head.

Loving a Novel and Abandoning It

People have asked me which of my novels is my favorite. The answer is whatever I’m working on at that moment. The novel of now is always my favorite.

Maybe this is because I’m an INFP. NFs look to the future. When I’m writing a novel, I’m living for the future–for that moment when it’s born and real and ready to be read by people who aren’t me.

I usually know the end of a story around the same time I find its beginning. I write toward the ending, adjusting it if necessary. I also usually have more than one going at a time. If one takes off, it gets my undivided attention until it’s finished.

Once it’s done, I usually hate it for a while. I move onto the next project in line, my new love. I used to feel guilty about this, but I think it’s my way of letting the work go, letting it be complete without me. Ultimately, my books are for readers; I merely produce them.