Don’t Let Other Writers Get You Down

I think my latest book, Carillon’s Corpus, is up and on its feet again. It’s still wobbly, but at least it isn’t a dead heap in the mud.

Some people in the writing community look down on romance books as if they are fluffy and easy to write. (Some romance books probably are, but I think there’s a touch of misogyny with that thinking, as well, since it tends to be a women’s genre with an audience primarily consisting of women.) I had a friend, a female, who said romance was fluffy and not serious to my face. I kept wondering if she forgot what genre I wrote, but I think she did it because she was a jerk.

Carillon’s Corpus, like Carillon’s Curse, is a M/M paranormal romance with a Western setting and a mystery. In both novels, disabled gentleman Thomas Carillon, a medium, helps lawman Hadrian Burton track down a killer with the help of the victims’ ghosts. I’m basically weaving together two parallel stories—a romance and a mystery. I’ve written a couple of epic fantasy books with several subplots, but I find romances like this more challenging. Neither storyline is a subplot. They are dual plots. You can’t throw one out and still have a story.

To make matters more fun, it’s told in two points of view, and each POV (point of view) character sees the events differently. Since both of these novels are written in third person—close, that means each character’s scenes are written to reflect the POV character’s language as well as perspective.

So I have a lot of things to keep my eye on as well as all of the aspects of story structure, setting, and dialogue a writer has with any book. Since I also do extensive research with all of my romance books (except for the Chainmail and Velvet , a M/M romance fantasy D&D parody series—that was pure fun), I’m also trying to be careful about what words I use, what items furnish the scenes, where the events take place, etc. Oh, yeah, and I also have to write well.

But sure, it’s all a bunch of meaningless fluff. (I wouldn’t spend so much of my time writing this stuff if I thought, even for a minute, that that was true.)

Whatever genres are your favorite to read or write, don’t let anyone put you down for enjoying them. Sometimes other people just don’t get it. And sometimes they’re jerks.

Imagining Characters Through Time

So many sad, disturbing things are happening in the real world right now, so, of course, I have to go inside my imaginary writer’s world and make things weird there, too. I’m writing a paranormal romance novel set in 1888 in the Old West of the U.S. Today, because I’m living through such “interesting” times, I started thinking about what things would happen in the lives of my main characters.

In 1888, they’re in their early twenties. They’re Civil War babies. In some ways, they have just escaped it, but its effects and racism still loom over them in 1888. Thomas will be forty-nine when the Great War breaks out. U.S. servicemen in World War I ranged in age from eighteen to sixty. I don’t think Thomas would have been eligible to serve, since he is disabled, but Hadrian is fit and a police officer. I’m sure he would have been conscripted. He probably would even volunteer. What sort of adventures would he have? Would he make it home to Thomas?

And what would Thomas do while his lover is abroad, fighting on foreign soil? I’m sure he would do most of his typical Thomasy things. Talking to restless spirits. Going around town in his invalid carriage with his cat. Cars would be in fashion, so he would probably have a car by then. Would he drive it himself? The idea of my rather uptight Thomas driving a car makes me smile.

Thomas would be fifty-three in 1918, when the Spanish Flu pandemic hits. If Hadrian survived the Great War, what sort of condition would he be in? Would he survive the pandemic? What about sweet Thomas? He’s already in poor health. With his asthma, I’m not even sure how he made it to twenty-three. What would the pandemic be like for him? Would he make it? Would he hole up in his mansion with Hadrian? There was no Amazon, then. How would they get things they needed?

What will they think of World War II? They’ll be in their seventies then. It must seem terrible to see such a thing having lived through World War I. How cataclysmic it must seem. How frightening. They would have survived so much, but time keeps whirling by, a plow through hard earth throwing up weeds and dirt.

They’ll be long dead before they’re ever able to legally marry in the U.S. Would they even be buried together?

It’s not like I’m even planning a series or anything with these two. It’s simply that some weird part of me worries about them and almost needs to write more stories about them just to make sure they’re okay.

This is the kind of thing I don’t think many readers understand about writers. Our characters are real people to us. They live and breathe. We have coffee and tea with them. We worry about them going out into the wide world like a mother kissing her kindergartener goodbye on the first day of school.

We give them to you as an act of love, because they have been our friends on whatever journey we have taken, and we hope they will be yours.

Represent!: Autism Awareness

heart-3612853_1280

Welcome to the first installment of Represent!—a blog feature that introduces readers to books that highlight good causes, celebrate diverse characters, or simply make the world a better place. In honor of World Autism Awareness Week (April 1-7), let’s take a look at some indie books featuring autistic characters.

  • YA

Through Fisher’s Eyes: An Autism Adventure, is a magical YA fantasy by Paul Nelson. This is the first book of Fisher’s Autism Trilogy, and introduces us to Fisher, a seventeen-year-old boy with autism. Although Fisher doesn’t speak, the story is told from his point of view, allowing the reader to experience Fisher’s world as he does. In writing Through Fisher’s Eyes, author Paul Nelson says he drew from his experiences as the father of his autistic son, Michael.

  • Paranormal

This is also a great time to check out Nelson’s paranormal time-travel novel, Burning Bridges along the Susquehanna. The book, written for adults, follows the adventures of a teen girl, Lilly, and her autistic little brother. It features ethnically diverse characters.

  • M/M Romance

What We Want, is a charming contemporary gay romance by Eliott Griffen, a non-binary author with Asperger”s Syndrome. As one of the characters in What We Want is also an Aspie, this is an #ownvoices book. (It also features a pet cat named Meow!)

My detailed reviews of these books are coming soon! In the meantime, treat yourself to one or all of them. Happy reading!

Books Save Lives

book_tree

A book about rabbits saved my life.

Seriously. When I was twelve, my life was in chaos. My parents were divorcing, my mother was in and out of mental wards, my grandfather was sexually molesting me, I was bullied at school, hated all of my classes, and had no friends. Reading books helped me escape my life. One, in particular, not only provided comfort, it saved my body and mind and had a lasting impact on my psyche.

Watership Down, by Richard Adams, is the epic adventure of a ragtag band of young rabbits who flee their warren (sort of an underground rabbit city made of tunnels and holes) after one of them has a prophetic vision of doom. It’s an anthropomorphic tale in which the rabbits have a religion, language, and forms of government that vary from warren to warren. You can purchase a copy of Watership Down on Amazon–and probably other places. Netflix and the BBC have recently released a miniseries based on the book, but I found some of the show’s deviations upsetting. (The animated film from the seventies stayed truer to the book.)

Adams described the English countryside with an astounding level of detail and beauty that lifted me far away from the refinery-polluted bayous of my home. Even better, the characters who populated the book’s world, despite being lapine, felt like real people. I surrounded myself with them whenever suicidal impulses took hold of me. They replaced the friends I lacked and loved me when my toxic family didn’t know how.

I became a writer because I hoped my fiction might help others get through tough spots in their lives. I don’t imagine my books will ever affect a reader as profoundly as Watership Down affected me, but even if something I’ve written provides a reader with a few hours of amusement–a tiny respite from the real world–I feel like I’ve done my job.

Has a book ever had a significant impact on your life?