Sometimes I get writer’s block because I’m out of ideas for a story, stressed and having trouble relaxing or focusing, or just need to get a better feel for the backstory. These are all things that can be solved rather easily through writing exercises, or simple things like mediation, bathing, or going for a walk.
However, for me, sometimes I have writer’s block because I’m depressed. It’s almost a warning sign that something is wrong with me. In that case, taking a quick inventory of what is happening in my life can sometimes help me track what might be causing the depression. Clinical depression is serious. If you think you may be clinically depressed, please seek help. I’m bipolar, so I see a therapist on a regular basis. I also see a psychiatrist periodically and take medication for my illness.
For me, the red flags that I’m not just having writer’s block but am sinking into depression are:
Either sleeping too much or waking up too early.
Not paying attention to personal hygiene. (Like wearing the same clothes several days!)
Overeating (especially sweet stuff.)
Withdrawing (more than usual–I’m an introvert, so I’m always somewhat withdrawn.)
Not wanting to do anything, not being interested in anything.
Number 5 is where writing comes in. I’m interested in and passionate about many things, but writing is where my heart is. If I’m not writing–and maybe not even wanting to try some writing exercises–I know that’s a big, flashing warning sign that I’m not okay.
One of the worst bits of advice I ever got regarding writer’s block was someone online suggesting to take a break from writing and not write until you feel like it. Maybe that works for some people, but for me it sent me into a downward spiral of not writing that lasted over a year. Not writing led to more not writing, and I became more and more depressed. Once depression gets a toehold, it’s easier for it to get worse.
So, instead, I recommend being mindful of how your body is functioning and how you’re feeling. Make sure that your writer’s block isn’t a cue that something else is going on.
Sometimes trying to write can be daunting. Here are some questions I ask my POV character when I’m having trouble getting into a scene.
1. Who are you?
2. What are you doing?
3. What do you want?
4. Are you alone? If not, who are you with and how do you feel about them? Why?
5. What are you wearing? Is there anything significant about anything you’re wearing?
6. Where are you? What does it smell like? What does it feel like–emotionally and in a tactile sense?
7. What do you see?
8. What do you hear?
9. What day, month, year, season, time of day is it?
10. Is there anything significant about today?
These things will usually get me moving. Happy writing!
The title for Under the Shadow comes from a song composed by a Gailfen woman named Ruvella, one of Mylinka’s friends. The motif of weaving and needlework is important throughout the series, because the major Gailfendic deity is Jairra, the sun goddess who weaves the tapestry of life. In “Loom Song,” there’s the idea that Jairra weaves both good and bad into one’s life. If you’ve ever seen a loom, you know there are fibers that are stretched vertically (I stretched them across cardboard as a kid) and these are called the weft. A new fiber is threaded through, over and under, these stretched threads. The pulled thread is called the weft (or, sometimes woof.) Like a life, the thread dips down and rises up, now overwhelmed, now overcoming, over and over.
So Ruvella sings:
“So these are our lives,
And so these are our lives,
And lo, these lives are ours,
And though these threads be tangled and worn,
The Weaver’s stitch is sound,
As under the shadow and over the light
Our lives are wrapped and bound.”
Under the Shadow tests Lycian and Mylinka. They find themselves in light; they find themselves in darkness. How they cope with the plunge into shadow reveals much about their temperaments and who they really are.
Evening Burnwick lives in a land where young men and women are entombed underground to make the crops grow. She craves more than a peasant life, but she feels crushed beneath the foot of the landlords. Her life takes an unexpected turn when she is poaching on the Church’s lands and runs into an irritable shapeshifter with problems of his own.
This short, charming, coming of age fantasy contains LGBT characters and encourages everyone to find their own truths.
Evening and Owen are two of my favorite characters. I hope you enjoy their story. Someday, I may write more of their adventures.
Mylinka is one of the heroes of the epic fantasy series, The Astralasphere Spiral. When we meet her in the first book, Another World’s Song, she is a mischievous Gailfen girl on the cusp of womanhood. She lives on the legendary island of Malyndor and is the daughter of the world’s most celebrated and powerful mage, Taven, the Guardian of the Astralasphere.
Mylinka wants to learn how to wield magic, but magery is, traditionally, a male pursuit. Although Taven is not a traditional mage, the Guardianship weighs heavily on him, and he doesn’t fully support his daughter’s dreams. The bulk of his thoughts are occupied by the Astralasphere–a great, magical orb from which mages can draw power. He believes the mages’ use of the Astralasphere is damaging the world, so he is engaged in a power struggle with Lord Mage Asfret. This struggle ends with Mylinka being taken far from her home.
This is where the second book, Under the Shadow, finds here. As the foster daughter of Lord Murdoth, she takes the name Teg N’guul. In this book, she is older, and her life has made her fiercer. She is pragmatic, doing whatever she believes needs to be done to accomplish her goals. In this sense, she is something of an antihero, like Han Solo from Star Wars. She is, at her core, a good person, but a difficult life has given her a hard outer shell.
Fearless, stubborn, and complicated, she is one of my favorite characters to write.
Lord Mage Asfret is one of the main characters of Under the Shadow. While Lycian and Mylinka are the book’s heroes, Asfret is one of its villains.
When we meet Asfret in the first book in the series, Another World’s Song, he is a dashing, leonine figure dressed in red velvet robes. He is angry and blustering, full of self-importance. As an adviser to Queen Livian of Khydgel, he has encouraged the criminalization of magic there–reserving its use for military purposes or in some other service of the crown.
Asfret looks a bit different when we first meet him in Under the Shadow. In the world of Cith Lor Mahl, as in our world, actions have consequences. I don’t have a picture of Asfret except in my mind. Although Benedict Cumberbatch doesn’t look exactly like I imagined Asfret, I think he would play him well. So, here’s a photo of a blond Cumberbatch–he just needs horns and an entitled smirk.
Under the Shadow: Book Two of the Astralasphere Spiral, follows three main characters–the two protagonists (heroes) Lycian and Mylinka, and the antagonist (villain) Asfret. Today, we’ll meet Lycian.
Lycian’s story begins in Another World’s Song: Book One of the Astralasphere Spiral, when he is the young foundling of a mage named Jahern. Although Lycian has an ability for magic, Jahern has decided that he is a wyrm–one born to magic who isn’t allowed to use it because of some curse. Wyrms are often deformed or have some outward manifestation warning of their cursed status. One of Lycian’s horns is crooked. (All Gailfen have horns, but most are symmetrical.) He also has purple eyes. Unfortunately for Lycian, they are considered a bad omen, for the demons locked in the Void also are reported to have purple eyes.
Lycian is far from being a demon, however. He tends to be honest and kind, sometimes to his determent. He loves animals and champions the downtrodden. Always, he tries to look for the good in others.
In Another World’s Song, Lycian became fully aware of his power and began learning how to use it. In Under the Shadow, he must learn how it should not be used. To me, this seemed like an important part of growing up. It’s one of the struggles not just mages, but all young adults, have to face as they come into their own. We all have power, we have only to face it.